lucia mascino teatro

Following a workshop in Ancona, the person who kept him put me apart from this training course where the students came and get paid. I only found out that this is obviously more frequent than I thought. The difficulty was to keep the truth of feeling. Teatro Parenti di Milano: il nostro incontro con Filippo Timi e Lucia Mascino, che hanno presentato la stagione 2020/2021. Video. “Lovers who do not know how to be in the world” is a feminine rather than feminist comedy, but in addition to the love story there is a reasoning on the freedom to be alone and to determine: the idea that the conclusion of a great love story does not it coincides with the failure or the end of a life, but with a passage. In the others they were unique roles in the same piece. Probably yes, also because now so many parts I can not do it [he says it with bitterness and humility] but now I enjoy the moment that has finally arrived. di Umberto Garibaldi I am annoyed by the respectability that you can get to replace an actor in a production because stained with black stamp.

When you grow up, life must pass mainly through the heart, even the head. Follow. Even the work with Corsetti was linked to interior images, drawing on texts taken from Kafka and Ovid. Tel +39 0932 768546 - P.IVA 01632330880, © 2019 Copyright G Event Communication Srls The cinema in this is unattainable. Can you put both? We love so much. It must be said that it is not easy to realize at what moment one is in the hic et nunc of when one lives it. Filter by post type.

Audio. Destiny, then, is incredible: my first training took place at the Pontedera research and experimentation center, the previous year he had been there but we had not met. Text. We can not generalize, but perhaps we should believe that we are freer than we think and we should realize and enjoy the conquest of rights that has already taken place. Chat. Here man is the desired object, he is the “much loved” and in this there is a reversal with respect to the story to which we are accustomed. Photo.

I can not rationally say what our relationship is, I know I can not remember my life when we did not know each other. I know it can be twisted, but it’s linear. The illusion consists in thinking that the maintenance of what was both salvation, instead it is impossible to stop the change that is underway – very powerful at this time. INCASSO CONTRIBUTI ENTI PUBBLICI.

We must all contribute to catching the voice that has risen, certainly fundamental. Talking about it on TV is an audience. In 2007 I “shared” winning a national call with my show project (realized with the dancer Rebecca Murgi) entitled “I am international”, where the absurdity of being so closed to the other was highlighted and at the same time to fill his mouth with the idea of ​​being internationally approved. A multifaceted actress with great experience on the stage, she became known to film audiences in particular thanks to the series “Una mamma imperfetta“. Definitely give and receive. Something similar understood from the beginning and that, from experience to experience, has been amplified. . In addition to this, it was an approach that corresponded most to me because I was not interested in perfect diction, but I liked the “listening” exercises more, a language that was almost abstract, where one could throw in the impulses and the unconscious. In this sector it is never easy to emerge, even when it is deserved, fortunately the right opportunity has also arrived for Lucia Mascino with “Amori che non sanno stare al mondo” by Francesca Comencini (taken from the novel of the same name published by Fandango Libri). Credits

For example, during a nightly lit scene, at the height of tension, he says: “No, do not cry … but why do you cry all between four and five in the morning?” And there the spectators laugh. “Lovers who do not know how to be in the world” does not tell a distance, but a closeness, touching the heart. Even that happened a bit by chance. : 93005480426 T. +39.071.9090007F. Some scenes will remain cult. A few days ago I thought, for example, about a small thing about the roles … my mother, for twenty years, cooked twice a day for six people and even though mine was a family not too traditional, where ‘It was a good exchange (my father on Sunday morning prepared the béchamel to make lasagne), it is absurd to have always taken it for granted. Two completely different styles. For example, it is believed that it is possible to continue to keep closed many types of borders, but the world is in a great change and the process is unstoppable – in some ways I would say fortunately. Speech is an action and speaking is important and it is terrible that someone answers “it has always been like that”.

In scena: 12/11/2019 - 17/11/2019 | Ancona (AN) | Sperimentale. Continuando a utilizzare questo sito senza modificare le impostazioni dei cookie o cliccando su "Accetta" permetti il loro utilizzo. We had the opportunity to interview her during the thirty-fifth edition of the Torino Film Festival (November 24 to December 2, 2017) where two films were presented that well represent it and – one might say – represent us. We worked both with Giorgio (Corsetti) for years, often on tour in France, together with a group of local circus, then in 2005 I left the company (he the following year) and for me it was a moment of crisis. Then when in 2008 Filippo created his first show as an author and director, as well as an interpreter, he called me. Alas we still pay the price for a social evolution that has not gone hand in hand. Surely the Shammah with Fillippo had a meeting and he with us that we feel a company even if it is not legally. Questo sito utilizza i cookie per fornire la migliore esperienza di navigazione possibile.

Sperimentale. Traditional roles have involved women a lot. maggiori informazioni Accetto. Associazione Inteatro Villa Nappi Via Marconi 77 60020 Polverigi (AN) P.IVA: 00765720420 C.F. Let’s say that I learned from Corsetti, but I also received some injuries. In a world where relationships are often fleeting, in particular for the big and small screen, the theater manages to do a little more family because for a show you have the chance to live a longer time. I always look for the instructions for use, but I do not have them. Inside the characters think a lot about love and sex, yet, at the same time, is a feature that we could define instinctively. Internationally renowned pianist but, Prince Albert II of Monaco, Modica and the Grimaldi family, a bond that is history. In January, the new stories of “I delitti del BarLume” will be broadcast on Sky Cinema Uno (they have already aired and are available on Sky On Demand in the “I delitti del BarLume” collection, nda), waiting to find out if we’ll be shooting next summer. At the same time it was a very cinematic show with the music of Hitchcock, the cuts of light, the clothes of the fifties and contained in itself the desire to bring it to the cinema and make those characters exist, beyond us. Evidently and, I would add, it is finally in the spirit of the times to give back to those women who have been removed for years. Ask. Interview of the master Giovanni Cultrera di Montesano In 2005 Filippo was on tour with “Metafisico Cabaret” (for which he won the Ubu) and I had not been taken, I entered the race for a replacement. Nobody, then, had understood that he would be the author and director of his own works. I refer to the “Hamlet”, a wonderful piece (the first version, in 2009, had the title “The people do not have bread? It is not the push that my generation had, born in an era when, after all, many things had already changed, and yet only forty years ago there was the “reparative marriage”, and we do not realize how much the path to be done is still urgent in the present. Slowly I moved away, also taking taste in telling the normality. … As it denotes that scene, I would say that in general, the same script often changes register, from the comic to the dramatic, so that I can not say in the word “gender” what is right to put: comedy? It stimulates me the opportunity to work again on a text that reverses the point of view and brings to light a scientist, a woman, who has contributed to the discovery of DNA but that has always been ignored by the history books in favor of Watson and Crick deemed “the discoverers” of DNA. I do not feel so arrived. In scena: 20/11/2019 | Vicenza (VI) | Comunale .

I have done very few roles so big, apart in “Another planet” (2008) and “Fräulein – A Winter Fable” (2016), so it is very strange for me to be at the festival with two major works. Most popular Most recent. Enjoying all the dynamics of the film and, when they are comic, enjoying the rhythm of writing, while, when they become dramatic, do not be afraid to give free vent to that part. I still remember when we were in Naples, from behind the scenes I saw Timi on the stage and I thought to myself: “if it goes on alone I will follow it because I have so much to learn”.

I felt discomfort for the gender difference between male and female and for years I also fought with my femininity, it irritated me that someone relate to me as a woman and not as a person.

She is a generous woman, but also intrusive and demanding, she is funny and insecure and her exposing herself with enthusiasm comes from believing that there is something important to defend and to fight for. Comunale.

The Monegasque, "Every role i have done has marked me" Ufficio Stampa Lucia Mascino: Federica Ceraolo, The art of music In addition to the work of Comencini, we were able to attend, in fact, “Favola“, based on the show created by Filippo Timi, with whom he created a fundamental artistic and human association.

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