gattamelata donatello

Do NOT follow this link or you will be banned from the site. Thus, Donatello makes a statement of the power of the real-life individual; he does not need to embellish or make grander whom Gattamelata was – the simple depiction of the real man is enough to convey his power.

Sullivan, Mary Ann. This funny-sounding name was the nickname of Erasmo da Narni, a condottiere (mercenary) who fought for Venice and is the person depicted riding the horse.

After Erasmo of Narni's death in 1443, according to John Julius Norwich, the Republic of Venice, as a sign of gratitude and respect, paid for a sculpture in his honor. Erasmo da Narni (Gattamelata) sits high on his horse, looking out to the distance. Coordinates: 45°24′05″N 11°52′47″E / 45.40139°N 11.87972°E / 45.40139; 11.87972. “Equestrian monument of Erasmo da Narni, called Gattamelata.”, Donatello's Equestrian Monument of Gattamelata, "Donatello's Equestrian Monument of Gattamelata", Donatello’s Gattamelata and its Humanist Audience, 'Equestrian Statue of Gattamelata' Analysis and Critical Reception, Equestrian Statues and Paintings of the Renaissance, https://en.wikipedia.org/w/index.php?title=Equestrian_statue_of_Gattamelata&oldid=982035680, Creative Commons Attribution-ShareAlike License, Draper, James David. The statue, as were all bronze statues of this time, was made using the lost wax method. Another element that Donatello took from ancient sculpture is the trick of adding a support (a sphere) under the raised front leg of the horse, which appears also in the lost Regisole of Pavia, a bronze equestrian statue from either the late Western Roman Empire, the Ostrogothic Kingdom or the Byzantine Exarchate of Ravenna. Links on this site are affiliate links. The Renaissance also witnessed the discovery and exploration of new continents, the…. This is a site for information and analysis of the world of the Italian Renaissance. Announcing our NEW encyclopedia for Kids! Donatello’s Gattamelata. Standing … Read More →. This is especially rare and noticeable as Gattamelata was not a head of state. Also similar is the feeling of grandeur, authority, and power both portraits exude. Equestrian statue of Gattamelata Artist Donatello Year 1453 Medium Bronze Height 134 in (340 cm) Location Piazza del Santo, Padua, Italy Famous Artwork by Donatello Saint Mark Zuccone The Feast of Herod David Equestrian statue of Gattamelata Judith and Holofernes The Equestrian statue of Gattamelata is an early piece that made its way in during Renaissance, (French: “Rebirth”) period in European civilization immediately following the Middle Ages and conventionally held to have been characterized by a surge of interest in Classical scholarship and values. The horse echoes the alert, self-contained and courageous air of the rider. While equestrian statues of this type may not seem notable to us nowadays, in the mid-fifteenth century, it was significant at the time for its naturalism and the way it rivaled ancient sculpture. Gattamelata, bronze statue of the Venetian condottiere Erasmo da Narni (popularly known as Gattamelata, meaning “honeyed cat”) by the 15th-century Italian Renaissance sculptor Donatello. [3] After its conception, the statue served as a precedent for later sculptures honoring military heroes.[4]. It portrays the Renaissance condottiero Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time. Web. This statue was raised by his family to honor the General. In. Beth Harris and Dr. Steven Zucker. [6] Gattamelata is portrayed as a warrior figure, carrying a baton symbolising his military leadership and with a lengthy sword. It was completed in 1453 and is unique among his works for still remaining in the location where it was first installed. Remaining in Padua until 1453 CE, Donatello produced a sculpted altarpiece (now dismantled) composed of various saints around the Virgin and Child. The realistic depiction of its muscular form reveals the Renaissance concern with anatomical study that was later developed in Leonardo da Vinci's studies for the Sforza equestrian monument. It was completed between 1447 and 1450 but was not installed on its pedestal in the Piazza del Santo in front of the Basilica of Sant’Antonio in Padua, Italy, until 1453.

The depiction of force of character and the reference to the power of real people flows with the Renaissance themes of individualism and humanism. The emotion on his face is serious. The other relief is of angels displaying battle armor.[5]. While there had been some other equestrian works executed over the centuries, there were none like this.

It is therefore likely that the Venetian Senate had to authorize the creation of this work by making an exception to its rule.

28 February 2010. The piece was commissioned by the Republic of Venice to memorialize Erasmo da Narni. Erasmo is not shown as a deity, but instead as someone who conveys intelligence, courage, and confident – a rather triumphant figure who rides on a horse with its hoof on an orb, a symbol of power. Donatello had been working in Florence for many years before he eventually moved to northern Italy and to the city of Padua, which was under Venetian control at the time. Gattamelata, bronze statue of the Venetian condottiere Erasmo da Narni (popularly known as Gattamelata, meaning “honeyed cat”) by the 15th-century Italian Renaissance sculptor Donatello.

Sullivan, Mary Ann. While the Bamberg Horseman depicts a German emperor, it lacks the dimension, power, and naturalism of Gattamelata. Draper, James David. If you would like to cite this page, please use this information: Michelangelo carved a number of works in Florence during his time with the Medici, but in the 1490s he left Florence and briefly went to Venice, … Read More →, The most famous section of the Sistine Chapel ceiling is Michelangelo's Creation of Adam. "Equestrian monument of Erasmo da Narni, called Gattamelata". Donatello had been working in Florence for many years before he eventually moved to northern Italy and to the city of Padua, which was under Venetian control at the time. The military leader was nicknamed "Gattamelata." His body is in natural proportion to his horse (something that is not always true with other equestrian statues), which indicates that Donatello was trying to achieve a high level of naturalism here. "Donatello (ca. The city of Padua wanted to honor Erasmo after his death, and they did so by placing this equestrian statue of him in front of the main church in the city. “Donatello (ca 1386–1466)”. This scene is located next to the Creation of Eve, which is … Read More →, David is one of Michelangelo's most-recognizable works, and has become one of the most recognizable statues in the entire world of art.

[5] One relief shows Gattamelata's coat of arms flanked by two putti that are pointing to it. He wrote that Donatello “proved himself such a master in the proportions and excellence of so great a casting, that he can truly bear comparison with any ancient craftsman in movement, design, art, proportion, and diligence wherefore it not only astonished all who saw it then, but continues to astonish every person who sees it at the present day.”.

"The Early Renaissance: 1400–1494." (This payment has been disputed.

The latter is portrayed as a real man, his armor a badge of status; this ruler, however, appears almost deflated, lost in the carefully sculpted drapery that covers him. While Gattamelata died in his 70s, Donatello depicts him at the height of his power, further emphasizing his might and abilities.[5]. However, the emperor also has a facial expression of dominance and determination. Measuring 340 x 390 cm (the base measuring 780 x 410 cm),[2] it is the earliest surviving Renaissance equestrian statue and the first to reintroduce the grandeur of Classical equestrian portraiture. This page was last edited on 5 October 2020, at 20:37. The doors symbolize the gates of the underworld, lending the feeling of a tomb, though the monument was never a burial place.

His military victories were well-known throughout the Italian city-states of the Pre-Renaissance period and his family was well respected. The pedestal under the horse is composed of two reliefs toward the top with fake doors underneath. Who was France’s youngest 20th-century president? Sullivan, Mary Ann. It portrays the Renaissance condottiero Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time. The horse's front left hoof rests on an orb, a cannonball, which symbolizes military advances, representing his power of the Venician army. This was one of Donatello's biggest undertakings, with the final piece produced at life size. As an Amazon Associate the site owner earns from qualifying purchases. Donatello portrays Gattamelata as a composed, alert and watchful leader. Omissions? The attention to the horse's musculature and movement and the realistic depiction of the emperor (forgiving his size) are mirrored in Gattamelata. It is also believed to be the first equestrian sculpture during the early Renaissance. Erasmo da Narni, the subject of Donatello's Gattamelata, was a powerful and illustrious Venetian nobleman and condottiere (mercenary). It was completed between 1447 and 1450 but was not installed on its pedestal in the Piazza del Santo in front of Donatello's Equestrian Statue of Gattamelata was created during the period of time he spent working in Padua.

Vasari says that he “determined to return to Florence, saying that if he remained any longer in Padua he would forget everything that he knew, being so greatly praised there by all, and that he was glad to return to his own country, where he would gain nothing but censure, since such censure would urge him to study and would enable him to attain to greater glory.”  For Donatello, motivation to achieve greatness came about more through criticism than through praise. In this sculpture a standing dog was used to carry the load under the horseshoe.

Corrections? A comparison between the sculpture and that of Marcus Aurelius' equestrian statue shows how closely Donatello looked to classical art and its themes. Donatelllo, Gattamelata, 1445-53, bronze. 2006. This article was most recently revised and updated by, https://www.britannica.com/topic/Gattamelata, ItalianRenaissance.org - Donatello�s Gattamelata. One of the great works Donatello created while in Padua was the Gattamelata, the name of which means “honeyed cat”.

Sullivan, Mary Ann. 1386–1466)". "Equestrian monument of Erasmo da Narni, called Gattamelata." Our editors will review what you’ve submitted and determine whether to revise the article. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox.

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